Ben de la Cour

With songs that explore life's murky corners and shadowy characters, Ben de la Cour's music occupies the intersection between gothic Americana and dark, gritty folk. It's a sound fueled by the stories and struggles of its creator, a lifelong searcher who's never been afraid to shine a light on his own demons. His music has been featured on SiriusXM Outlaw Country, BBC Radio, Paste Magazine and NPR while receiving high praise from American Songwriter, Maverick Magazine, No Depression, Twangville and Dusted Magazine amongst others.

Raised in Brooklyn, de la Cour lived in London, Cuba and across the United States before making his home in the American south over a decade and a half ago. Drawing on inspiration from writers and musicians alike—Townes Van Zandt, Jimi Hendrix, Nick Cave, Nina Simone, Leonard Cohen, James Baldwin and Carson McCullers among them—de la Cour’s gothic folk songs are as heartbreaking as they are beautiful.

De la Cour is a natural storyteller. His lyrics create entire worlds, fully realized and three-dimensional, full of down-and-out characters trying to make it through. “Ben has refined and enriched the sweet, savage way he pulls your heart up through your throat with his quietly tragic characters in devastating scenarios. It is somehow gruesome and viscerally moving, a fine line he manages to amble along with nary a stumble” (The Telegraph). And he doesn’t shy away from writing tragedy. “There is nothing more isolating than happy, everything-is-great music,” de la Cour says, “because then you’re like… well, I really am alone.”

Ben de la Cour’s music is filled with juxtaposition and duality. He balances doom and optimism, seeking out kernels of hope in the darkness. New Roses finds this balance and acceptance in the dualities of life, ringing true for anyone who has ever felt the need for both light and darkness—for anyone who has learned the hard way that one cannot exist without the other.

Ben de la Cour’s visceral songwriting grabs you by the heart and doesn’t let go. Weaving evocative stories of desperate characters with his signature “Americanoir” sound, de la Cour shines an empathetic, raw, and at times bleak light on the human condition. New Roses, Ben de la Cour’s sixth album, is a claustrophobic yet hopeful record that is by turns gritty and bleak and soaring and beautiful, building to a heart-wrenching story of reckoning and resilience.

Learn more at https://www.bendelacour.com/

Couldn't Be Happiers

Jodi Hildebran Lee and Jordan Crosby Lee are both law school graduates, but they didn’t meet in a courtroom.

They first met in Winston-Salem in 2013 at an old-time music circle that gathered once a month to share music, food, and company to decompress from the rigors of ordinary life. A career opportunity sent Jordan to Texas and separated the two friends until they serendipitously reconnected a year later. This new connection was different, and it was strong. So strong that Jordan packed up his dog and guitar and left both Texas and the practice of law for a life of music with Jodi in North Carolina.

Now they’ve got four dogs and a band together, and they couldn’t be happier.

The name says it all. Energetic and quirky, Couldn't Be Happiers is a folk-rock/Americana duo that enjoys every moment of their second chance at happiness. And it’s pretty damn contagious. Described by Doug Davis of Flytrap Studios as “Violent Femmes meets Johnny and June,” this married songwriting duo joyfully blends rock, pop, bluegrass, and folk into a sound that is uniquely their own. The CBH songbook includes stories about the obsessive drive of a Bigfoot hunter, the life cycle of a plastic bag, the end of the world from global warming, the untold perspective of the first woman hanged in North Carolina, and the acrobatic feats of strength performed by a Cajun burglar feeding his gambling habit.

But aside from the stories, what you’ll notice first is the voices — and in particular the beautiful homespun harmonies. Those voices will take you from church to holler to Opry and back again all in one song, thanks to the exhilarating power of Jodi’s vocals and the smoothly classic twang of Jordan’s. With Jodi on drums & harmonica, and Jordan on guitar, Couldn’t Be Happiers roll out an incredible sound, a set of great original songs, and a live show that all but dares you not to enjoy yourself.

• Tuck Satterfield of The Simple Joy

Learn more at https://couldntbehappiers.com/

Paulus Schäfer

Paulus Schäfer (born 1978) is today one of the most talented Gypsy Jazz guitarists from The Netherlands. Born into a Dutch Sinti (Gypsy) community he learned to play the guitar at a very early age. Besides listening to fellow Sinti and records of his idol Django Reinhardt, it was Wasso Grünholz – a legend within the Sinti community – from whom he learned the most. After a short period of time, in which Paulus briefly took over the lead guitar of Jimmy Rosenberg in the Gipsy Kids, he formed the Paulus Schäfer Gipsy Band and recorded his debut album Into the Light in 2002, followed by many concerts and numerous – headlining – invitations to jazz festivals: Sziget Festival Budapest (H), Khamoro Prague (CZ), IGGF Gossington (UK), Django Reinhardt Festival Samois-sur-Seine (FR), Gipsy Festival Anger (FR), International Gipsyfestival (NL), International Guitar Festival Kaluga (RU), Django in June (USA), Copenhagen Jazz Festival (DNK), Djangofollies (BEL), Django Liberchies (BEL), Tampere Guitar Festival 2015 (FIN), Seixal Jazz (PO), Jazz Dock Prag (CZ), Victoria Django Festival (CAN), Raduno Mediterraneo Jazz Manouche (ITA), Django a Gogo (US), Amersfoort Jazz (NL), Haarlem Jazz (NL), Breda Jazz (NL), Jazz in Duketown (NL), Yes Gouda Jazz (NL), Jazzclub Reduta Prag (CZ), Clamores Madrid (ES), Django Amsterdam (NL), Carnegie Hall NYC (US) 2017, The Woodland – Maplewood (US), Town Hall NYC (US), Rasprodano Lisinski Zagreb (HR) 2018, Deajeon International Guitar Festival (KR) 2018, Royal Opera House Mumbai (IN) 201) to name a few.

Being a musician on high demand, Paulus is often to be found on stage with other musicians like The Rosenberg Trio, Biréli Lagrène, Stochelo Rosenberg, Al Di Miola, Fapy Lafertin, Stephane Wrembel, Jimmy Rosenberg, Tim Kliphuis, Feigeli Prisor, Andreas Öberg, Olli Soikkeli, Gonzalo Bergara, Ritary Gaguenetti, Jan Kuiper, Jan Akkerman, Damir Kukuruzović etc. and can be found on many albums. He also recorded two more albums with his own group in 2006, Desert Fire and Live at the NWE Vorst with the Paulus Schäfer Gipsy Band and The Tilburg Big Band. In March 2012 he released Twelfth Year, in which he guaranteed the assistance of Tim Kliphuis, Nous’che and Stochelo Rosenberg. In the same year two new albums been released. The surprising Rock Django and the Scandinavian album with Hot Club d’Europe Kouvola Junction. In November 2014 he had recorded with his trio and accordeonist Dominique Paats the cd album Rocky. With the CD Letter to van Gogh, October 2015 Paulus Schäfer brings a homage to this Dutch artist from Brabant. It is a unique album of his exclusive compositions.

Paulus has a particular sound, easy recognised, and although all Paulus’ albums are true to a distinctive Gipsy Jazz/Swing sound; Paulus is always looking for a new modern sound. Not only to broaden his own horizons, but also for a more representative Gipsy Jazz sound for the 21st century. The violinist Tim Kliphuis typifies Paulus playing: ‘His singing tone, fearsome technique and well-balanced solos instantly reminded me of my days with Fapy Lafertin, who turned out to have been mentoring Paulus‘. On May 30 2013 he has been awarded by Mr. Akimov of the International Guitar Festival ‘The World of Guitar’ (Kaluga – Russian Federation) for his ‘special contribution to contemporary development of Gypsy Jazz‘.

Learn more at https://www.paulusschafer.com/